Davyd ([info]davyd) wrote,
@ 2008-04-27 17:18:00
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thoughts on Apple Aperture
Some time ago, Apple released a photo management app called Aperture. The consensus was that it didn't make the grade. Later they released a new version, which was recommended to me at a wedding a few weeks back (not my own). It had some interesting sounding features, so I decided to find out what it was like by trying the demo.


arrow in flight

First up, it doesn't currently support the Canon EOS 450D's RAW format. The files will import (the import UI is excellent), but Aperture will be unable to view them. For the time being you have to use Adobe's DNG converter (which does support the camera). If you export the .CR2 files from Aperture, Adobe's converter won't be able to read them. I had to copy the files onto the computer using the EOS Utility from Canon (which is fairly awful), convert them and then import the DNGs into Aperture. Apple link to the Adobe DNG converter as a way to support cameras not natively supported in Aperture. It would be nice if Aperture could just pump the files through the DNG converter automatically if required/requested.

The photo viewing UI seems pretty nice. It has the typical Apple animation spam but is reasonably snappy. Sometimes however it's hard to tell what display mode you're in. The neatest feature, one that should appear in more applications is the idea of a stack. You can collect a whole pile of photos of the same subject into a single stack, which can then be collapsed to one image on the filmstrip. You can then compare the currently chosen best image against all the other images in the stack and choose a new best image.

Apple advertise a rich selection of keyboard shortcuts so that you needn't take your hands of the keyboard, but to me these seem to suffer from typical Apple keyboard-shortcut brain-damage. I think there is a UI to edit them, but I didn't check.

Aperture offers a number of image adjustment and editing tools. While the algorithms employed here don't seem any more advanced than those in the Gimp, the UI seems to be reasonably well thought out. It allowed me, who knows relatively little about image processing to adjust the sliders and come up with a nice image. There are little checkboxes to indicate whether or not to apply the effect, which allows you to gauge the effect. Something simple that really impressed me was being able to show the sensor hot/cold spots as an overlay so that you could compensate for sensor burnout/blackout. Image adjustments are applied non-destructively.

By default, Aperture wants to store your photos in its Aperture Library, which you can put anywhere you like on the system. The library is some sort of opaque storage, I've not had a look to see if it uses a technology that you could recover your files from. You can however store photos anywhere you like and just reference them in the Aperture Library, which would guarantee that you can always access your photos later.

Aperture can export your photos (either masters or versions) as RAW originals or JPEGs (possibly other things too) to your computer. Apple also advertise direct export to Flickr. It turns out however that this is implemented as a 3rd party plugin and costs you extra (I don't really mind this, I just wish Apple were more upfront about it).

My first impression: it seems reasonably neat and worth further experimentation. It's probably not for managing the random photos you take from day to day, but seems well suited to dealing with the photos from a specific project. It's probably worth $270, assuming that it's supported for more than 20 minutes (although, this is Apple), it's cheaper than Adobe Lightroom (which I've not yet tried). I wish it could natively handle my camera, but I assume this will come in time. It has some really swish features that I would love to see appear in F-spot.

(rest of photo set)


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(Anonymous)
2008-04-27 10:15 am UTC (link)
What did you run it on?

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[info]davyd
2008-04-27 10:47 am UTC (link)
The UCC's 20" iMac, apollo.

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(Anonymous)
2008-04-27 10:27 am UTC (link)
Davyd, I hope you saw my Summer of Code announcement [1]. If there's anything cool related to the sidebar in there, do let me know :-). I'm still working out the design of what'll be implemented in F-Spot.

Cheers,
Ruben Vermeersch

[1]: http://weblog.savanne.be/132-summer-of-code

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[info]davyd
2008-04-27 10:50 am UTC (link)
I did read your announcement.

I had a think about F-spot vs. Aperture and came to the conclusion that F-spot is more like iPhoto. It solves a slightly different problem to Aperture in my opinion. I saw that Hub has started developing an application that will try to be similar to Lightroom (handling RAW workflows, non-destructive editing etc.). I'm going to keep an eye on that.

I do have a suggestion for F-spot however: Most recently used tags. So often when tagging photos, I am tagging the same things over and over (temporal locality), but the tags will almost undoubtedly be at opposite ends of the list.

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(Anonymous)
2008-04-27 11:45 am UTC (link)
I'm guessing that taking the camera down the club is the closest you've got to 'shooting' at an archery range in a few years.
....Lame I know, but it had to be said.

Some nice photos, the one of Matt is especially good I thought.

I have seen some photography where someone has taken lots of photos of releases, and managed to get several photos of arrows leaving the bow. Also photos of arrows about to hit the target. So it can be done. Should be added however that many of these photos have been taken of lines with lots of people shooting, so obviously higher chance.

Often taking photos at Melville I've had trouble with the darkness under the shade, ruining detail in the subject. Admittedly these photos were taken with shitty cameras. Have you got the light balance right with good photography techniques or post-processing? (or favourable lighting conditions).

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[info]davyd
2008-04-27 12:19 pm UTC (link)
The light is a pain as you say. Because Stephanie is left handed the light lands on her face before lunch, which helps. I also used a linear polarisation filter on the front of the camera, which compresses the tonal range (also accentuates the sky).

In order to photograph Matt, I also changed the metering mode on the camera to slightly overexpose the sky (i.e. used Matt to gauge the levels). I then dragged the levels back in Aperture. I raised the shadows in quite a few of the images, to remove the hardness of the light (this has washed out the contrast a little).

A few of these could have benefited from some fill flash 120 degrees off from the sun (shot into an umbrella). For Steph this probably would have been ok, because it would be behind her. For Matt, this would have been a strobe going off in his eyes.

I was wondering how complex the remote triggering system is for the camera. If it would be possible to design a remote trigger connected to something, e.g. laser beam trigger on the arrow tip or something (that may be overengineering). I got that one of Steph by watching her clicker rather than listening for the click. I couldn't see Matt's clicker through the viewfinder. What I should have done is put the camera back on the tripod and watched the clicker directly.

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(Anonymous)
2008-04-27 01:13 pm UTC (link)
I don't know how the modern remote triggers work, but I remember reading in the past (70s) that you're desired result was achieved using a piece of string tied from the bowstring to the trigger mechanism, and that this worked fine. I would imagine a set-up like this would possibly be easier to design than lasers. I don't know how challenging it would be to reduce the delay for this method.

Another possibility, magnetise the arrow head, and put a loop around the arrow exit and detect the induced current as it passes through. My knowledge isn't good enough to know if this is plausible.

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[info]davyd
2008-04-27 01:18 pm UTC (link)
I think you'd have more luck with a laser than magnetising an arrowhead.

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Brain-dead shortcuts?
(Anonymous)
2008-04-27 02:05 pm UTC (link)
"but to me these seem to suffer from typical Apple keyboard-shortcut brain-damage"

Hi Davyd - how are the shortcuts brain-dead? I've been using a mac since I was knee-high to a grasshopper, so the shortcuts seem quite intuitive to me. Is your comment more about the learned behaviour you have from the control key using windows/linux world? I'm genuinely interested, and not trolling.

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Re: Brain-dead shortcuts?
[info]davyd
2008-04-27 02:20 pm UTC (link)
So I come at this from a couple of angles.

Some things I understand are legacy Apple. Things like opening files/folders/apps in Finder. I only recently discovered Apple-O was the correct keystroke. Enter, which seems to me like a useful default key is rename, which seems like a much less common operation, especially in Apple, where an applications folder has always been the way to launch applications (rather than a Program Manager, Start Menu or Panel).

Then there are things like the screenshot keystrokes. Reminiscent of Emacs, these are just whacked out combinations of keys that you need to be a contortionist to press. Their complication also means that I can't remember them for more than 20 minutes after I look them up (and I generally have a pretty good memory).

Finally, there are the combinations that just don't seem to make sense. e.g. in Aperture, creating a stack is Apple-K. Why K? When in the stack compare view, selecting the new favourite is Apple-\ (this is actually a real pain to press). Why not make it something easy. Especially since choosing a favourite is something that's only possible in the stacks view. Why not make it something big and easy, like Space? You can always press Undo if needs be.

Related to this is Apple's symbology for the keys. It's cute and compact, but since those symbols don't appear on the keyboard (even Apple's keyboard), it's actually an extra hurdle for the occasional Mac user. I had to work it something was referring to the Option key by a process of elimination today.

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Re: Brain-dead shortcuts?
(Anonymous)
2008-04-27 05:02 pm UTC (link)
Apple-space is typically used as a shortcut for spotlight (system-wide search). Otherwise some reasonable points.

I agree that they should print the control symbol on the control key. When I first switched to mac it confused the nuts off me, and I know there are many others who this applies to as well.

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Re: Brain-dead shortcuts?
[info]davyd
2008-04-27 11:40 pm UTC (link)
I was thinking simply 'Space' as a context-sensitive action button.

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The Aperture Library
(Anonymous)
2008-04-27 03:55 pm UTC (link)
IIRC The Aperture library is a package. This means its a folder masquerading as a file. You should be able to right click on it and "View Package Contents" to get at the stuff inside. I'd imagine there's some kind of database file along with your images in there.

Best,
-David

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Re: The Aperture Library
[info]davyd
2008-04-27 11:39 pm UTC (link)
I think I tried that. Normally you can just `cd` into a MacOSX package using a terminal. I seem to recall this wasn't the case. I'll check again.

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Re: The Aperture Library
[info]davyd
2008-05-04 12:15 pm UTC (link)
I've had another look. It is one of those MacOSX directory-as-file package things.
[davyd@apollo aperture-test]$ find Aperture\ Trial\ Library.aplibrary/ | grep -i dng | head
Aperture Trial Library.aplibrary//Matilda Bay.approject/2008-05-04 @ 07:14:54 PM - 1.apimportgroup/IMG_2830/IMG_2830.dng
Aperture Trial Library.aplibrary//Matilda Bay.approject/2008-05-04 @ 07:14:54 PM - 1.apimportgroup/IMG_2830/IMG_2830.dng.apfile
Aperture Trial Library.aplibrary//Matilda Bay.approject/2008-05-04 @ 07:14:54 PM - 1.apimportgroup/IMG_2831/IMG_2831.dng

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